W-Burg Guides



BuzzFeed
Add to Your Site



Archives


· January 2009 · December 2008 · November 2008 · October 2008 · September 2008 · August 2008 · July 2008 · June 2008 · May 2008 · April 2008 · March 2008 · February 2008 · January 2008 · December 2007 · November 2007 · October 2007 · September 2007 · August 2007 · July 2007 · June 2007 · May 2007 · April 2007 · March 2007 · February 2007 · January 2007 · December 2006 · November 2006 · October 2006 · September 2006 · August 2006 · July 2006 · June 2006 · May 2006 · April 2006 · March 2006 · February 2006 · January 2006 · December 2005 · November 2005 · October 2005 · September 2005 · August 2005 · July 2005 · June 2005 · May 2005 · April 2005 · March 2005 · February 2005 · January 2005 · December 2004 · November 2004 · October 2004 · September 2004 · August 2004 · July 2004 · June 2004 · Nov. 1998 - May 2004

Our Books



Williamsburg & Brooklyn Links


New York and Williamsburg Apartment Listings


Music


Politics


Blogs We Like






Interviews



Advertise With Us

About Us

Founding Editor:
Robert Lanham

Senior Editor:
Brian Ries

Senior Arts Editor:
Elizabeth Brady

Arts Editor:
Lisa Baldini

Film Editor:
Dave Thomas

Photography:
Clarissa Roudabush



Add me to your
mailing list



Powered by
Movable Type 3.2


Advertise on New York blogs


OSAMA COUNTER






« New Edith Frost MP3's | Main | True Jingle Bell Rock »

The 10 Best Books of 2005

1400043662.jpg

The New York Times just announced their top 10 books of 2005. We're delighted to see our favorite author, Haruki Murakami make the list. Read Robert Lanham's review of the book, which appeared in Nylon, afte the jump. And feel free to add your own selections in comments.

Fiction

KAFKA ON THE SHORE
By Haruki Murakami.
Alfred A. Knopf, $25.95.
This graceful and dreamily cerebral novel, translated from the Japanese by Philip Gabriel, tells two stories - that of a boy fleeing an Oedipal prophecy, and that of a witless old man who can talk to cats - and is the work of a powerfully confident writer.

ON BEAUTY
By Zadie Smith.
Penguin Press, $25.95.
In her vibrant new book, a cultural-politics novel set in a place like Harvard, the author of ''White Teeth'' brings everything to the table: a crisp intellect, a lovely wit and enormous sympathy for the men, women and children who populate her story.

PREP
By Curtis Sittenfeld.
Random House, $21.95. Paper, $13.95.
This calm and memorably incisive first novel, about a scholarship girl who heads east to attend an elite prep school, casts an unshakable spell and has plenty to say about class, sex and character.

SATURDAY
By Ian McEwan.
Nan A. Talese/Doubleday, $26.
As bracing and as carefully constructed as anything McEwan has written, this astringent novel traces a day in the life of an English neurosurgeon who comes face to face with senseless violence.

VERONICA
By Mary Gaitskill.
Pantheon Books, $23.
This mesmerizingly dark novel from the author of ''Bad Behavior'' and ''Two Girls, Fat and Thin'' is narrated by a former Paris model who is now sick and poor; her ruminations on beauty and cruelty have clarity and an uncanny bite.


Nonfiction

THE ASSASSINS' GATE
America in Iraq
By George Packer.
Farrar, Straus & Giroux, $26.
A comprehensive look at the largest foreign policy gamble in a generation, by a New Yorker reporter who traces the full arc of the war, from the pre-invasion debate through the action on the ground.

DE KOONING
An American Master
By Mark Stevens and Annalyn Swan.
Alfred A. Knopf, $35.
A sweeping biography, impressively researched and absorbingly written, of the charismatic immigrant who stood at the vortex of mid-20th-century American art.

THE LOST PAINTING
By Jonathan Harr.
Random House, $24.95.
This gripping narrative, populated by a beguiling cast of scholars, historians, art restorers and aging nobles, records the search for Caravaggio's ''Taking of Christ,'' painted in 1602 and rediscovered in 1990.

POSTWAR
A History of Europe Since 1945
By Tony Judt.
The Penguin Press, $39.95.
Judt's massive, learned, brilliantly detailed account of Europe's recovery from the wreckage of World War II presents a whole continent in panorama even as it sets off detonations of insight on almost every page.

THE YEAR OF MAGICAL THINKING
By Joan Didion.
Alfred A. Knopf, $23.95.
A prose master's harrowing yet exhilarating memoir of a year riven by sudden death (her husband's) and mortal illness (their only child's)

Murakami on the Shore

It's fitting that Kyoto-born author, Haruki Murakami, would have two distinct public identities. After all, the characters inhabiting his genre-bending novels routinely live mysterious parallel existences.

Murakami is a best-selling celebrity in Asia. He's also routinely panned by Japanese critics uncomfortable with the success of his metaphysical mysteries, not to mention his protagonists' fascination with Western pop culture.

In America, critics have compared Murakami to Pynchon, Hemingway, and Hammett. Despite meager sales, locating a bookstore where his masterpiece The Wind-Up Bird Chronicle isn't a Staff Pick would be a daunting task. He has what every author dreams of; critical and popular success, only on two separate shores.

His latest, Kafka on the Shore (translated by Philip Gabriel) is Murakami's most heartbreaking novel to date. It’s also his weirdest. Populated by talking cats, Hegel-quoting prostitutes, and a strange dude who calls himself Colonel Sanders, the novel follows parallel plot lines involving a 15-year-old runaway and an elderly man who's one part Forrest Gump, one part Buddha. As I said, it's weird. Thankfully, part of Murakami’s charm is his ability to make the fantastic seem normal. Real.

Structurally, the book is reminiscent of his double-plotted detective spoof, Hard-Boiled Wonderland. Nevertheless, Kafka is more intimately linked to Underground, Murakami's nonfiction examination of evil via the sarin gas attacks on the Tokyo subway.

An ambitious and moving novel, Kafka on the Shore is also deeply flawed, often slipping into head-scratching allegory and failing to tie together disjointed pieces. That said, Murakami (and his fans) seem forgiving, if not inspired by the humanity that resides in imperfections. In a revealing chunk of dialogue about a Schubert sonata, Murakami writes "works that have a certain imperfection to them have an appeal for that very reason -- or at least they appeal to certain types of people."

Exactly.

--Robert Lanham from Nylon

Comments

10 books is about 10 too few for a year-end list. I liked Sittenfeld's Prep, but I feel like it was thrown in there as a sort of "harken back to the times" item. And I don't think any novel Zadie Smith writes will be left off such a list.

Post a comment

Verification (needed to reduce spam): Can't read the above words? Click the circular arrows for a new anti-spam test.