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SK's Favorites, 2001
Experimental/Electronic
• Jamie Bissmire - "12 Tribes"
(Ground)
• Pole - "R" (~Scape)
• Jan Jelinek - "Loop-Finding Jazz
Records" (~Scape)
• Marumari - "Supermogadon" (Carpark)
• V/A - "First Fist & Stroop"
(Skipp)
• Jeff Mills - "Time Machine"
(Axis)
• Jeff Mills - "Metropolis" (Tresor)
• To Rococo Rot & I-Sound - "Hungry
Ghost" (City Slang)
• Plastik - "Systematically In Love"
(Static Caravan)
• Jimi Tenor - "Cosmic Relief"
(Puu)
Rock/Pop
• Tragedy - LP
• Guyana Punch Line - "Irritainment"
(Prank)
• Fugazi - "Furniture" (Dischord)
• Mark Robinson - "Canada's Green
Highways" (TeenBeat)
• Lighning Bolt - "Ride The Skies"
(Load)
• Panoply Academy - "No Dead Time"
(Secretly Canadian)
• The Locust - "Flight of the Wounded
Locust" (GSL)
• Tortoise - "Standards" (Thrill
Jockey)
• Sisterhood of Convoluted Thinkers -
"Ume Sour" (Darla)
• Orthrelm - "Iorxhscimtor"
(Tolotta)
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Last
month I reviewed the Transllusion
cd, which culminated in a rare thumbs-down assessment from me. I've never
been much of an electro-funk fan, but i know stale beat construction when
i hear it, and that particular solo effort from the Drexciya camp just
didn't have much going for it. The new Drexciya full-length, "Harnessed
the Storm" however, adds the flavor and personality that "Cerebral
Gate" so painfully lacked. '80s-inspired futurism with obvious nods
to both Georgio Morodor and Afrika Bambaataa, the electro sound of sequenced
basslines and cheesy drum machines rarely breaks free of its retro trappings,
but artists like Adult, Bolz Bolz, and Drexciya continue to keep the sound
alive.
For almost 10 years now, the members of Drexciya have framed their ideas
and identities within a futuristic vision of an under-sea metropolis,
which one might suggest, mirrors the inner-city environment of their hometown
of Detroit, Michigan. "Harnessed the Storm" furthers their nautical
agenda musically, effectively updating their electro sound for a new generation
of followers, as well as furthering their idealistic indentities as DJ's
from an under-sea world far below the surface of the earth.
It's there that one experiences the forboding funk of "The Plankton
Organization," which goose-steps its way into your cerebral cortex
with it's relentless, lock-step beat that occasionally lets up long enough
to reveal a strange, metallic-sounding reverberation. "Digital Tsunami"
also smacks you upside your ears with its percussive, repetitive sequences.
Each track has a darkness to it, providing the tension that keeps it interesting,
but some tracks add a slight touch of mood-enhancement, like "Soul
of the Sea," which offsets its grumbling basslines with a nice soulful
skank.
Tracks like "Under Sea Disturbances" and "Birth of New
Life" afford a rare glimpse of genuine, emotive
expression from Drexciya, with their uplifting synth
melodies and thematic sounds that add an extra touch
of flavor to the underlying, robotic rhythmic
constructions. "Harnessed the Storm," like many of
their previous efforts, is a journey into a mysterious
world where the official language is that of drum
machines and is governed by a propulsive, tribal
rhythm handed down from a previous generation of
under-sea clubgoers. This new full-length, while
preaching to the converted in its sleeve-worn,
stylistic approach, provides the electro-adept with a
new set of electro anthems and a unique vision to
uphold.
- SK
http://www.tresorberlin.de/
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jahhoo@yahoo.com
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mail@freewilliamsburg.com | January 2002 | Issue 22
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