AROUND
THE BLOC
My Life in Moscow, Beijing, and Havana
Stephanie Elizondo Griest
A non-review by J. Stefan-Cole
Stephanie
Elizondo Griest took a turn around the bloc, the red bloc
that is, or what remains red in Moscow, Beijing and Havana.
It turns out things are more pink, diluted in some ways,
just as oppressive in others. The Cold Warriors are no longer
staring each other down for ideological domination, but
democracy is having a tough go of it. Russia's de-Sovietized
state has become a free for all grab at capitalism with
democracy in a shaky second place. AROUND THE BLOC; Villard
Books, fills in the day to day on the bloc with humor and
journalistic smarts. Starting in Moscow in the late nineties,
where the writer spent a year, she found a less restrictive
government and a rising marketplace bursting with sudden
tycoons and a blooming mafia.
Elizondo Greist studied Russian while observing post-glasnost
culture. She found many older Russians longed for a return
to the days of guaranteed jobs, health benefits and retirement
pensions, with shops stocking good old Russian sausage instead
of foreign junk food. Freedom of movement in Russia is still
restricted, special papers are required to legally relocate
to a major city and that involves securing a job first with
an employer big enough to finesse the fussy paper work.
And a person can't simply walk into an apartment building
and sign a lease, not even the drab, ubiquitous Soviet chunk-of-cement
high-rises where elevators and stairwell lights often do
not work. There is a serious housing and cash crunch, but
if an enterprising citizen does manage to cut through and
start to realize a profit, the Russian mob will soon come
calling for their 40% cut, or else. Democratic improvements
have come at a price and a recent poll indicated that many
Russian citizens are not opposed to a return to greater
government authority. Witness the handy re-election of "Czar"
Putin.
Elizondo Griest arrived in Moscow an idealist. Fed up with
the apathy of her native Corpus Christi, Texas, she approached
a visiting CNN correspondent after a lecture to ask how
she could break into covering places like Russia. She was
told to learn Russian. Four years later as a Russian University
student she expected to find a city full of idealists, the
memory of Stalin's murderous oppression seared on brains
deeply valuing hard won freedoms. She had romantic ideas
about people taking to the streets over the smallest infringement,
but soon understood that life in Russia is hard, that only
the vodka readily flows freely (or close to) and what people
really want is American movies and MacDonald's. They'd had
it with ideology. Students in particular were bored with
political rallies, and the last thing on most struggling
Muscovites minds was freedom of expression. "My friends
seemed too busy deciding between a life of honest labor
or fast rubles to contemplate social change." When
she tried to get them worked up, to rally against the war
in Chechnya, her friend Nadezhda told her, "'You need
to understand something, Stesha. The Revolution is dead.'"
The book is billed as a memoir, and we are generously let
in on the writer's de-flowering. Andrei, a disillusioned
out of work Russian who lives with his mother performs the
deed, and the rite of passage is more the result of a night
of heavy vodka consumption than love. It is noteworthy that
the writing improves with the sex; with the idealistic gloss
a bit tarnished. I guess naiveté works best when
it's over.
Two years later as a Luce Foundation Scholar, it's off
to Beijing. Savvier upon her arrival in Asia, Elizondo Griest
is just as determined to catch the breath of democracy at
inception in The Peoples Republic of China. What she discovers
first though is the cuisine. Apparently the Chinese will
sauté, boil, deep fry or broil just about anything
that has four legs, fur, two wings or fins, not to leave
out snakes and snake's blood. Vegetarian values are a quick
casualty of life in Beijing. The author's conversations
with herself as she learns to compromise are both funny
and poignant; it is not that she gives up on ideals so much
as the rub up against hard reality that pinches.
Too inexperienced to pick up a reporter or editor's post,
she takes a job editing propaganda for the China Daily where
the paper's director, Lao Ye, is also its built-in censor.
When a reporter asks about an article on Noble Prize winners
and it comes up that the Dalai Lama was a past Peace Prize
winner it is decided to leave that year blank. Asked about
an AP piece on protests against President Jiang Zemin in
Washington, the answer is a resounding no. And an article
on North Korean leader, Kim Jong Il? "'No!' he [LoaYe]
snapped." Too sensitive. To her amazement, Elizondo
Griest can't get anyone, not even in secret, to discuss
the 1989 shooting of students and laborers protesting in
Tiananmen Square, which is euphemistically referred to as
the "June 4 Incident". Writing freely about AIDS
or pornography or global warming? Too sensitive. She is
told by colleagues to think of propaganda as advertising:
"Our government owns the media, so of course we have
to say nice things about it. It's the same in your country.
ABC can't say bad things about Disney. Can it?" Hmm.
The Chinese, like their Russian counterparts, are consumed
with making a living in a burgeoning economy where housing
is scarce and official paperwork can stifle. Jobs for so
huge a population as China's are often fabricated by the
government. Going to a museum, for example, the writer pays
one woman, who hands the ticket to another woman to stamp,
who in turn hands it to a third woman who hands it back
to the writer; one job divided into three. I liked these
glimpses of daily life behind the drawn back iron curtain.
The contrast is stark between the little things we take
for granted that are giant hurdles in China and Russia.
The trick is to get around the forbidden and the bureaucratically
impossible. With the Chinese, nothing happens without guanxi
or connections, which sounds a lot like American capitalism
to me. With journalists, guanxi translates into taking bribes,
especially at press events for companies looking to break
into new Chinese markets. But also money to bribe the driver's
ed. guy to secure a driver's license, to being wined and
dined, taxi fares included. Her friends at the China Daily
tell her without bribes they can't function, and insist
that Chinese journalists know the truth better than their
US counterparts because they can call the police and politicians
directly to find out what's going on. They just can't print
any of it. And they tell the frequently astonished Elizondo
Griest that they are first and foremost a pragmatic people.
Having seen the havoc wreaked on Russia by too sudden an
embracing of capitalist democracy (which they see largely
as one man getting ahead at the expense of another), they
don't mind going slowly. You can do anything you want in
China, an artist tells her, just don't make waves and openly
criticize the government. Practical, yes. But, free?
After a particularly strident outburst, one of her reporter
friends tells Elizondo Griest, "'But what would be
the point of a revolution if there was no one to benefit
from it? Democracy is not within our tradition, and our
education is very undeveloped here. We should have to go
through a very turbulent period to have such a transition,
and we just can't afford that right now. Given the choice
between democracy and a thriving economy, Chinese will always
take the economy because that is what affects us most.'"
Wisdom that comes from cultural 'purges'? Americans may
be free to call our president a jerk in public, protest
a war, and move to Cincinnati anytime we choose, but are
we, fundamentally, all that different? Isn't the almighty
dollar the real bottom line in a capitalist democracy? Elizondo
Griest has to think hard when asked: Don't Americans believe
what their government tells them? To her awkward silence,
her friend tells her, "Chinese do." Finally, Elizondo
Griest has to admit it takes a train to make the average
American disagree with their government sufficiently to
get up and out on the streets, and, hello, just slightly
over half in the land of the free bother to vote.
Another element common to Moscow, Beijing and Havana are
the more desirable aspects of socialism that do, or did,
work. Muscovites have lost many basic life supports and
more beggars and homeless fill subways there, with old people
selling anything from buttons to teapots so they can eat.
University education in Beijing may be rigid and repetitious,
but the state pays. Havana probably has the most intact
socialism of the bloc nations Elsizondo Griest visited,
due to the least infiltration of a market economy. Health
care is good in Cuba and advances in medicine have been
profound since Fidel took over in 1959. Greater equality
is now enjoyed in a nation that once had two classes; the
powerful few and everyone else in voiceless poverty. The
voice may not be there yet, but Cubans seemed the happiest
of the bloc citizens. The economy has been in shambles since
glasnost pulled the plug on Russian support, and Castro
has not been able to fill the void except by allowing in
dollars, tourism and some free industry. Yet, despite poverty
and that ever present censor, the people are expressive,
have a rich, hot cultural life and a fairly sophisticated
view of their dictator.
The Muscovites seemed the most miserable overall, good
at playing victim especially with a little vodka on hand.
The Chinese seemed wise and wily in maneuvering around the
ever watchful eye of the Party. As for the Cubans, believe
it or not, not everyone wants to jump a rickety raft bound
for Key West in shark infested waters just to live in Miami.
There is a lot of pride in Cuba, and Fidel brought that
pride to the poor his revolution was meant to uplift. A
musician told Elizondo Griest, "'Every Cuban left on
this island wants to believe in the Revolution. Badly.'"
I was most taken with the journalistic point of view of
the book, but Elizondo Griest said people have also responded
to it as a travel experience, or as a fun memoir. I spoke
with her and asked if she knew while in Russia that she'd
be writing the book. She said no, but she's an obsessive
note-taker and her notes later fed the book. You will have
to read AROUND THE BLOC for the personal journey. It's the
suggestion of democracy as something almost forced that
intrigued me. I'm thinking Iraq, where I doubt there has
ever been so much as a dream of the sorts of freedoms we
tend to assume everyone wants, and which we are now 'bestowing'
upon them. I asked Stephanie which of the three bloc nations
she'd live in, and she said none; she'd choose America,
"but as a white-appearing, educated, privileged woman.
If I was black or another minority I might be better off
in Vieja Havana." Stephanie Elzionodo Geist is half
Chicana and her next book, she said, will deal with her
Mexican side.
©May 2004 J. Stefan-Cole
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