
Into the Buzzsaw: Leading
Journalists Expose the Myth of a Free Press
edited by Kristina Borjesson
Forward by Gore Vidal
Prometheus Books
In
a November, 1992 expose on illegal practices being carried
out by supermarket chains on Prime Time Live, reporters
working undercover at Food Lion outlets documented instances
of "
employees repackaging and re-dating fish,
grinding expired beef with fresh beef, and applying barbeque
sauce to old chicken to mask the smell."(p61) Food
Lion soon filed suit against ABC News and after a costly
court battle, won a $1 symbolic settlement from the news
organization. Other news divisions, suddenly afraid of broadcasting
stories critical of big business began to pull inflammatory
stories from their programs for fear that they might lose
costly and time-consuming cases defending their (at this
time still constitutional) right to report. In the end,
the case stands as a landmark ruling in favor of corporate
interests at the expense of the public good.
This is just one of the stories mentioned in editor Kristina
Borjesson's illuminating yet uneven collection of essays,
Into the Buzzsaw: Leading Journalists Expose the Myth of
a Free Press. With almost one voice the essays contained
here contend that the modern news business -- where the
emphasis on the bottom line has almost trumped the traditional
sanctity of the byline -- has become just that: a business.
Given the current spate of media mergers which has resulted
in corporations folding news departments into their entertainment
divisions, news outlets have in effect become just another
form of entertainment. This trend is most evident in local
television news programs, which have begun to look more
and more like slightly less splashy versions of Access Hollywood
than traditional news programming.
Given this backdrop, Buzzsaw stands a timely and quite
unnerving book. The impetus for the book arose when Borjesson,
who is an Emmy and Murrow Award winning investigative reporter
had her own brush with censorship in 1996 when she found
herself in the middle of an investigation of the TWA flight
800 crash off the coast of Long Island.
Assigned to cover the story for CBS, Borjesson quickly
stumbled upon a series of red flags that should have tipped
off any curious reporter. The fact that the military wouldn't
allow the NYPD dive team access to the area for almost three
days after the crash, and when they did, only allowed them
to search certain areas for remains. Or the so-called "30-knot
clip" -- a blip on recorded images of radar screens
that shows a large surface vessel moving at a high rate
of speed away from the area right after the plane erupted
in a ball of flames and crashed. In addition, numerous credible
witnesses from the Long Island shore who went un-interviewed
(or dismissed when interviewed) claim to have seen something
rise from the surface of the ocean and explode just before
they saw the plane come apart and plunge into the water.
The final straw came one evening when Borjesson and fellow
investigator Kelly O'Meara left some crucial evidence pointing
to a government cover-up in the trunk of Borjesson's car.
What happened next is the stuff of pulp spy-thriller fare:
"The next morning, we went to the car, and O'Meara
opened the trunk. Everything was there, except for the TWA
800 documents and O'Meara's computer. The trunk lock itself
looked untouched and worked perfectly. Yes, ladies and gentlemen,
these things do happen in the United States of America.
I would never have believed it if I hadn't experienced it
myself."(p132)
There is almost too much evidence Borjesson produces in
favor of a government cover-up for the theory to be ignored,
including a whistleblower being taken to court by the government
for sneaking seat samples out of the recovery area which
contained chemical traces consistent with rocket fuel residue,
in direct refutation to the government's claim that the
residue was simply industrial strength glue. But Borjesson
was not alone. Contributing essayist and thirty-five year
journalism veteran David E. Hendrix also tried to track
down the facts of what really happened off the coast of
Long Island that night, with no more success. In his essay
he arrives at the same conclusion Borjesson, O'Meara and
a few others who did their homework: In the face of so much
evidence showing that it is likely that the U.S. Navy accidentally
shot down TWA 800, why didn't more journalists chase down
the many leads that supported this contention? Simple: editors
were looking for a quick turnaround on the story. They simply
parroted the government's version of the story and left
it at that. As J. Robert Port says in his essay: "Some
of our biggest, most trusted news organizations simply lack
the courage, the will or the leadership to consistently
do the work necessary to expose the truth about the most
controversial subjects in our world
"(p207)
The title of the book might make one think that it's written
by what we've come to know as "conspiracy nuts"
- but nothing could be further from the truth. The essayists
are producers, television anchors, editors at major dailies
and award-winning columnists who have had stories killed,
their contracts cancelled and have resigned in protest at
their superiors' refusal to run factual stories critical
of big business and government. They're an angry group,
but to their credit they each manage to retain an air of
professionalism and even-handedness when describing the
injustices they and their colleagues have suffered. If there
is one fault in the collection, it's in the number of essays,
and the quality of a handful of them. Of the 18 pieces included,
at least two or three could have been left out as they basically
parrot what some of the more compelling pieces have to say,
and as such don't really stand on their own legs.
Riveting essays by Michael Levine and Pulitzer Prize winning
columnist Gary Webb expose the complicated web of diverted
funds and outright lies the CIA has perpetrated by moving
narcotics into North America in order to fund its jaunts
abroad. Levine was on the ground during the early days of
the drug war in the 70's and 80's and recounts from personal
experience instances where he was told he'd gone far enough
in an investigation and that he should back off. Webb, who
broke open the story about CIA involvement in the crack
epidemic of the 80's in LA which soon spread around the
country was eventually sacked by his newspaper because he
refused to retract factual information that was in his story
when pressure was put on his publishers.
These essays sure won't help you sleep at night, rife as
they are with stories of cover-ups, lies, murder and little-known
government reports detailing their own involvement in major
crimes, but they are necessary. They are also very believable.
It is next to impossible to know exactly what motivation
someone has to write an essay of the sort you will find
here, whether it be personal, professional or altruistic
is up to each reader to judge for themselves, but there
is an underlying thread of sincerity that runs throughout
these pieces which give them an air of authority. At a time
when our media outlets have "missed" stories such
as massive corporate fraud being perpetrated against Americans
by our largest corporations and seem to accept that our
war on terror is going precisely as planned (according to
Bush, Ridge, Ashcroft, etc), the book comes as a timely
wake-up call to people interested in the truth, and just
who is fashioning that truth.
Review by Paul McLeary
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