
You
can't accuse Neil LaBute of not getting through to his audience. For
better or worse, his first two movies, In the Company of Men and
Your Friends and Neighbors, which he also wrote, leave a lasting
impression. His third film, Nurse Betty, should pique the curiosity
of moviegoers for two reasons. First of all, you never know what could
possibly come next in his films. No territory is off limits. Secondly,
he didn't write this script. What could it be about this script that
would inspire Neil LaBute to direct this film?
Renée Zellweger plays Betty, a dreamer who is stuck as a waitress
in a small town in Kansas. Her husband, Del (played by the chameleon-like
Aaron Eckhart), is a shady used car salesman who ignores her birthday
and generally walks all over her. Aaron Eckhart is brilliant character
actor and a LaBute favorite for good reason. Sporting a mullet (nice
touch), he adds a lot of the dark, borderline misogynistic humor that
we can expect from LaBute. Betty's only joy is her favorite soap opera
starring George McCord (Greg Kinnear, who must've narrowly missed
a career in soaps early on) who plays the dashing Dr. David Ravell.
Betty's dreary life gets a little excitement after Del brings home
some important clients. These clients, Charlie (Morgan Freeman) and
Wesley (Chris Rock), turn out to be the ones in control. Rather than
coming for Del's business, they're hit men who have come for Del.
It's strange to see Morgan Freeman in a wacky comedy like this but
he comes through in fine style doing what he does best - playing the
wiser, older partner. Similarly, Chris Rock does what he does best,
playing the younger, impetuous partner. It's refreshing that this
film allows Rock to play a character rather than showcase his undisputed
comic talent.
For reasons that you should really see for yourself, Betty leaves
Del behind to trek across country under the delusion that she's a
nurse whom will be reunited with her first fiancée, Dr. David
Ravell. That's right, not George McCord the actor, David Ravell the
doctor. The hit men follow her trying to retrieve from Betty what
they wanted from Del. At times, Betty's delusion can take on a Three's
Company quality of annoying misunderstanding but she's so damn sweet
that you don't really care. As the chase goes on Charlie's search
takes an interesting turn and starts to take on a deeper meaning for
him.
I suppose that an emotionally disturbed waitress wandering the country
to find her fiancée who is really her favorite soap opera star
befits the dark humor of LaBute. To a certain extent it's about idolatry
but, more importantly, it's a movie about people searching for something.
You have no idea what they're searching for but neither do they. You're
just along for the ride and it's a pretty cool trip.
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| October 2000 | Volume 7