Courtesy Tier released their video “Cold” to the world to today! I love it! Let me know what you think.

via: blaqbook.com

Workout just released the new video for their song “Bon Voyage,” which they recorded at Converse’s Rubber Tracks studio in Williamsburg.

Our friends over at Meerkat Media just sent us over their latest video for Slothrust’s The Couch Incident. The sofa-bound lead singer is confronted by her very younger self, and instead of some lovey-dovey, idyllic realization about ourselves as children, shit gets real when the girl turns out to be elusive, destructive, and violent. The song reminds me a little bit of what the At The Drive In would be like if they had listened to more death metal.

Slothrust was recently a featured artist at Adrian Grenier’s Brooklyn studio (which I did not know was even a thing), Wreckroom.

Matthew Eisman Music Photography

Every other month, I go on an obsessive Young Magic rampage. It’s been going on for a year and you’d probably notice this if you’re socially connected with me. It’s quite unhealthy but I’m fine with it and I hope they’re fine with it. Young Magic is a trio experimental band from Brooklyn. My interest back on them ignited when they released  their second music video. This video is for “Night In The Ocean”, which will be on Young Magic’s forthcoming album Melt via Carpark Records. Produced by Newfoundland Tack, the visuals in “Night In The Ocean” involves a switch of a lovely couple doodling on each other’s skin and mesmerizing scenes of the ocean. The vintage color edits compliment their heavily synth-ed tunes. Throughout the video, abstract shapes keep appearing and I’m not sure what that means. Do you? Watch the video below and get hooked.

YesWayMusic

A couple weeks ago, Brooklyn’s The Yes Way premiered a music video for “Falter” at Cameo Gallery. The story of this video completely reconstructed my thoughts of this indie rock band. It takes us on a journey of a man seeking for a little more, in a dark naughty sense. Certain scenes are raunchy whereas certain scenes are a little depressing. Watch the video below and get a free download of this track at ExportAMusic.

The Yes Way \”Falter\”

Does a professional body whipper really exist in the Williamsburg community?

These guys will be performing next Monday at The Knitting Factory, December 19th. If you happen to be lurking around Metropolitan, stop by and catch their set. The evening is called “Rock Your Face Off!”. Show begins at 7, purchase tickets over here.

Also, take a visit to The Yes Way bandpage.

The new video from BK’s North Highlands is as perfect as I’d hoped. Subtle and delicately charming – just like singer Brenda Malvini’s voice. Malvini’s vocals are so open and clear, but jump from sweet to haunting in a matter of phrases, playing off of the track’s layers really well.

North Highlands is named after Malvini’s home town, North Highlands, CA, which Malvini has described as “a gnarly suburb trapped in time. It sounds like a beautiful name but it’s not a beautiful place.” Malvini came to NYC as a student at NYU, where she met the majority of North Highlands. The track “Benefits” is about “when you work hard your whole life and then it isn’t enough,” says Malvini. “You realize that and you just say fuck it and go dancing.” [via]

Cheers to that

Stream the new album Wild One here.

Psychobuildings have a new video out by fellow Brooklynite, director Yoonha Park, who also directed the super gorgeous video for Washed Out’s, “Amor Fati.” Not only does Psychobuildings’ frontman Peter LaBier have some legit moves… but that spandex outfit might be the greatest.

Psychobuildings are having an EP release party at Glasslands this Sunday, Nov 13th with Papertwin, Modern Rivals, Robotdrummer, and MNDR (DJ set) Tickets here.

Psychobuildings: Terror Management from Yoonha Park on Vimeo.

Coma Cinema – Business as Usual from Micah Van Hove on Vimeo.

It’s like the Tree of Life previews met drugs.

Also, Coma Cinema is currently offering free downloads for four of their albums. Go crazy.

Happy New Year is the glo-fi side project of Brooklyn-by-way-of-Australia musician Eleanor Logan and this Wednesday August 3rd she will celebrate her second 7-inch release, “Gold Medallion / And…Begin!”, at Glasslands Gallery.  Since her first release in October, she has garnered much well deserved blog love from the likes of Impose, YVNYL, and Altered Zones and the hits are bound to keep on coming. Single,  ”Gold Medallion” is the dreamiest of tracks, pairing Miss Logan’s smooth and buttery vocals with a romantic bass-line and semi industrial synth rhythm.  Check out the fantastic new video for the single where a hazy and overcast Coney Island becomes Happy New Year’s own personal playground equipped with pastel balloons, cartwheels and the Wonder Wheel.  Also those cue cards will make it easy for you to sing along!–practice those skills and show ‘em off at Happy New Year’s release party where Life Size Maps, Hunters and Antimagic will also play.  Pre-order the 7″ from Crikey Records.

Befitting their name, the video for Cults’s  ”Go Outside” centers around the story of the People’s Temple cult lead by Jim Jones in the 1970′s. It features both kitschy and haunting original footage from daily life in the cult before the infamous 1978 Jonestown Massacre.

Already in heavy rotation on our summer playlist, after seeing the unique video for this song, we like it even more. We’ve drank the Kool Aid and it tastes good.

Go Outside, by Cults from Boing Boing on Vimeo.

The video’s director, Isaiah Seret, included this statement with the video:

To tell the story of Cults’ hauntingly beautiful track, “Go Outside”, I was inspired to bring the band inside the world of Jim Jones’ famous religious cult, Peoples Temple, and the eventual tragedy in Jonestown. Fortunately, when exploring the feasibility of this video I became acquainted with Fielding M. McGehee III, an expert on Peoples Temple history and the primary researcher for the Jonestown Archive. It is thanks to him and his encouragement that I was able to take on this project and through his support gained access to over two and half hours of home videos showing Peoples Temple in Jonestown. For this music video we didn’t want to put a spin on the footage or the peoples lives—instead we wanted to re-tell and humanize their story. In order to achieve this we used a combination of stock footage, visual effects and other tricks to embed the band into the historical footage. This was achieved through my collaboration with my visual effects supervisor Bill Gillman and my cinematographer Matthew Lloyd. Lastly, I am moved to say when we completed the video we were able to preview it for some of the survivors of the Jonestown Massacre, who expressed their appreciation of our focus on the lives of the People’s Temple members as opposed to exploiting the graphic images of the final tragedy.

In History and Memory,
Isaiah